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Hey, I’m Sarah
I photographed weddings on the French Riviera for ten years. I started at the bottom of the market with one wedding booked my first season, no network, no one to introduce me. I finished at Villa Ephrussi de Rothschild, the Ritz, private villas in Puglia, with work published in prestigious magazines such as Vogue.
Nobody opened those doors for me. I built a website and an image so consistent that people found me and wanted me specifically. That site still brings me enquiries today, almost a year after I stopped shooting.



I stopped in October 2025, for health reasons. Which means I can now write about this work the way I could never write about it while I was still in it.
This is where I explain how a photographer gets chosen by a market higher than her own. Without a network. Without turning into a studio she no longer recognises.
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A model I was photographing during an inspiration shoot told me she loved my work. She was quick to add: especially work from back then, from that period. It echoed something I’d been carrying for a while already. Whenever someone asked for my Instagram, I felt embarrassed to show it, because I didn’t recognize myself…
There was one season, only one, when I billed my weddings by the hour. Every other year across my ten-year career, I sold flat day rates, full-day coverage. That single season was enough to show me why I never went back. The moment that kept repeating itself, almost identically every time, happened around eleven at…
The person I had trained as my second shooter, my best friend, called me a few months before a wedding. Something had come up on her end, and she asked whether someone else could take her place. I said yes. I found a replacement, sent her my galleries so she could see my style and…